Showing posts with label ant and dec. Show all posts
Showing posts with label ant and dec. Show all posts

Tuesday, 18 February 2014

Vegetable Slicing and the Symbolic Castration of Ant & Dec

AntandDecMen of the world unite! Either Ant or Dec has chopped off the top of his thumb and, oh, what a fine time it is to be a man, when the best among us has done what we all aspire to do: sing a song of manhood replete with sharp kitchen gadgets and a willful disregard for reading the instructions.

But you might have already grimaced over this story and know that it was actually Ant who suffered the injury whilst using a vegetable slicer to prepare dauphinoise potatoes for Dec. I only typed ‘Ant or Dec’ because I can’t honestly tell one receding hairline from another standing a foot to the right. In my mind, it’s the high-foreheaded hydra that’s one thumb down on the day and has only three thumbs remaining.

It’s a strange world where this story features so highly in the news. It’s probably why, as I gazed over the morning papers, I wondered why I continue with this sad pretence of blogging. The truth is that had I not written a piece about ‘Flappy Bird’ in the past week, traffic to this blog would be at an all-time low, with today setting a chilly record. Meanwhile, The Guardian promotes Jack Monroe like she’s the incarnate truth of blithe poverty; the happy-clappy survivalist and expert prepper for a country that’s just about getting by on one Ryvita a day and the occasional shapeless grape we find squashed beneath our empty freezer. That’s not to say I don’t like Jack Monroe, her backstory, or how she’s passionate about eating cheaply. It’s just that she’s so different to me that she constantly demonstrates how I’m doing everything wrong…

So, here goes. Aim for the mainstream, David. Aim for the mainstream…

How to cheaply feed a family of four with one thumb joint taken from popular TV presenter, Anthony ‘Ant’ McPartlin and some bloody-stained veg sliced unreasonably thin… First, take one TV presenter (£20 million a year, available at your local broadcaster), wash his thumbs, and apply one sharp blade to the top knuckle…

But I have to stop this sham right there. It would be fine if I could but I just can’t carry on and I’m increasingly tired of newspapers that can. It’s not just The Guardian that does it, of course. They all twist stories to fit their particular narratives. The Guardian just happens to have the best free web presence and politics I don’t totally object to, so I’m still drawn to reading it and feeling dismayed and utterly disappointed by the predictability of their content; how they try to link every celebrity story into a restatement of their perpetual themes of the surveillance society, poverty, gender politics… Especially gender politics…

Perhaps it’s just these jaded eyes but journalism seems to have become home to every third-rate academic willing to add another floor to the elaborate Babel that stretches skywards towards a feminist utopia that really isn’t up there. But perhaps a tower is far too phallic, no matter how much my metaphor might droop. Let’s make it a deep cave disappearing down towards some core dark truth.

Yet what surprises me the most is that I’ve never been entirely hostile to gender studies. I never thought it a paradigm shift to realise that gender is not absolute. Gender study is very prevalent in literary theory where it has become an often repeated observation that a writer such as D.H. Lawrence had a feminine sensibility. Once you accept that kind of distinction, the rest of it follows fairly easily. Even if I never thought much of Kristeva’s work (a writer who clearly hates to be understood), I’ve always quite liked Hélène Cixous’s way of making her point.
I write this as a woman, toward women. When I say "woman," I'm speaking of woman in her inevitable struggle against conventional man; and of a universal woman subject who must bring women to their senses and to their meaning in history.

If Freud could argue that we are defined by our childhoods, it seems only reasonable to conclude that the things we do, the words we choose to write, might also be influenced by our bodies, hormones, the very way we respond to the base urges of our gender.

The problem is that some places aren’t ready for the reconstituted male, men who agree with the broad arguments of feminism and simply wish to move on. We have to continue to play the role of the proxy bastards, out to keep women down and establish the patriarchal order. It’s not a part I wish to play but I’m doomed by my place in the patriarchy.

Last week’s Question Time was a perfect example. Tessa Jowell was on the panel with Dr David Starkey, George Galloway and others. They were debating whether the accused should be given anonymity in rape cases and Jowell was generally against it lest it discourage more women to come forward. It was a strange argument but typical of the ‘two wrongs do make a right’ logic that sometimes passes for progressive thinking. Rape has been under-reported for centuries and it’s only relatively recently that the law has taken the proper steps to recognise its severity. Yet should centuries of abuse, mainly by men, now justify a new kind of injustice that overlooks the rights of the individual if they just happen to be male? Even when acquitted, the accused are never cleared of the suspicion of guilt. Rape is a sentence that is handed down as soon as an allegation goes public. Does a belief in ‘innocent until proved guilty’ make me a typical man or simply somebody who believes in equality? Sometimes, in wanting justice to be blind, it feels like I’m not demanding the fashionable bias.

To me these things seem logical but perhaps logic isn’t as important playing the gender game where everything hinges on what we have between our legs. I expect articles in the papers this week explaining why Ant shouldn’t be mocked for losing his thumb, how it either reveals the emergency of a new masculine identity or reinforces the old stereotypes that says that men are useless around the kitchen. Brighter folk might even tell you that Ant didn’t chop off his thumb but symbolically took off the top inch of his penis. Perhaps they’re right. I really haven’t thought about it enough to disagree except to say if Ant was slicing vegetables with his penis, then he was asking for trouble. By now, I’m just confused. Perhaps his thumb is or really isn’t his dick and I don’t know my arse from my elbow. I nearly didn’t blog today and tomorrow I might not even bother.

Monday, 4 April 2011

Auditions Begin For 'Britain's Got Talent'

Auditions begin for Britain's Got Talent with Ant & Dec and guests...

It’s the show that critics accuse of exploiting vulnerable members of society but the family of its latest star are quick to point out that he’d be the first person to boast about his appearance on the new series of Britain’s Got Talent coming to ITV later this month.

Only, when the footage of last night’s audition is aired, it’s very unlikely that Harry Swollen will be able to enjoy his fifteen minutes of fame. In all likelihood, he will be in the same Level One coma he’s been under for the past eighteen months.

Swollen is but one victim of the rash of trampolining accidents that have filled hospital waiting rooms in the past twelve months. Only, for Harry, there was no hour long wait in A&E followed by a plaster cast and weeks spent preventing his wife’s slow brother Verne from covering his leg with semi-pornographic doodles. His trampolining accident threw him through a second floor bathroom window where he cracked his head on the bidet before momentum carried him out onto the landing and down the stairs. He has been unconscious ever since.

‘We’ve certainly been through some dark times,’ admits his wife, ‘but we have to keep going and look forward to some happier days for the children’s sake.’

Those happier days are the work of amateur puppeteer Maxwell Higginbottom and the story of Harry Swollen’s success is really the story of how the two men came together and started to make dreams happen.

The 2010 series of Britain’s Got Talent holds bad memories for Higginbottom. Unable to proceed past the qualifying round, he failed to win over the judges with his five minute shadow theatre of Polish folk tales performed to Stravinsky. It was the kind of disappointment that might have ruined a less determined man but Yorkshire-born Higginbottom admits that he can be stubborn. ‘Northern grit we call it,’ he says from his workshop in Halifax. ‘I just had to go back to the basics and reassess where I went wrong. Turns out I was missing the X factor.’

He found that X factor being fed intravenously two hundred miles away in a hospital in Hillingdon. After reading of the story of Swollen’s accident, he approached the family and proposed that he could turn their grief into laughter by reanimating their husband and father via two lengths of sold three by two for the purposes of song and dance.

‘It’s remarkable what he can make Harry do,’ explained Hilda Swollen as she washes down her husband ahead of a candid photo session with a national newspaper. ‘The first time I saw Maxwell at work, it was just like Harry had woken up and was eager to get down to the Labour club. He always loved to dance, did Harry, though I think he’d surprised to discover how good he’s suddenly become at tap.’

Hilda and the family have sworn to keep the result of the audition a secret until the day of broadcast but Higginbottom has dropped a few clues as to how it went.

‘Let’s just say that we’re keeping Harry’s bikini line well waxed and we’re putting him through twice daily stretching sessions to help make him more supple. I want to see Harry finish a dance with the splits. It’s hard work on my wrists but if we can work the right amount of slack into his groin I think it could be the kind of performance to win over the hearts of a nation.’

That news is certain to please Swollen’s growing number of fans who believe the coma patient might become this year’s Susan Boyle. ‘Where SuBo led, HaSwoI can follow,’ says family friend, Jimmy Pool, who is now acting as Swollen’s manager. ‘This time next year, we expect Harry to be conquering America, assuming, that is, that we can get him through customs as hand luggage.’